Ensayos (Madrid: Aguilar, 1972), pp. 605-06. (N. from the A.)

Félix Martínez-Bonati, «Cervantes y las regiones de la imaginación», Dispositio 2 (1977), 33. (N. from the A.)

Don Quijote de la Mancha, ed. J. J. Allen (Madrid: Cátedra, 1984), I, 190. (N. from the A.)

Don Quixote: Hero or Fool? Part II. Gainesville: University Presses of Florida, 1979), pp. 54-55. (N. from the A.)

The Rhetoric of Fiction (Chicago: University of Chicago Press, 1960), p. 69. (N. from the A.)

This lecture presents in abbreviated form the section of my book in progress on Cervantes' portraits of the artist which deals with Cervantes and literary theory of the Golden Age^46.1. (N. from the A.)


	^46.1	It also continues a study found in the Fall, 1983 issue of the journal, «Cervantes' Portrait of the Artist». -FJ. (N. from the E.)

The principal texts for Cervantes' theory of literature are Jean-François Canavaggio, «Alonso López Pinciano y la estética literaria de Cervantes en el Quijote», Anales Cervantinos 7 (1958), 13-107; E. C. Riley, Cervantes's Theory of the Novel (Oxford: Clarendon Press, 1962); Alban K. Forcione, Cervantes, Aristotle and the «Persiles» (Princeton: Princeton University Press, 1970); Helena Percas de Ponseti, Cervantes y su concepto del arte, 2 vols. (Madrid: Gredos, 1975). See also Anthony Close's imaginative exercise, «Cervantes' Arte Nuevo de Hazer Fábulas Cómicas en este Tiempo», in the Spring 1982 issue of this journal. (N. from the A.)

See my «Cervantes' Portrait of the Artist», in Cervantes 3 (1983), 83-102. (N. from the A.)

Antonio Vilanova, «Preceptistas españoles de los siglos XVI y XVII», in Historia General de las Literaturas Hispánicas, ed. G. Díaz-Plaja, vol. III (Barcelona: Barna, 1953), pp. 567-692. (N. from the A.)

Essential reading on this subject includes Roland Barthes, S/Z, trans. Richard Miller (New York: Hill and Wang, 1974); and M. M. Bakhtin, The Dialogic Imagination, trans. Caryl Emerson and Michael Holquist (Austin: University of Texas Press, 1981). (N. from the A.)