Selecciona una palabra y presiona la tecla d para obtener su definición.
 

31

Maclean, The Renaissance Notion of Woman, 4. (N. from the A.)

 

32

Northrop Frye, Anatomy of Criticism (Princeton: Princeton University Press, 1957), 195, and The Secular Scripture: A Study of the Structure of Romance (Cambridge: Harvard UP, 1976), 50. (N. from the A.)

 

33

Fredric Jameson, «Magical Narratives: Romance as a Genre», New Literary History 7 (1975), 140. (N. from the A.)

 

34

Barbara Johnson dryly calls Aristotle «the founder of the law of gender as well as of the law of genre». See A World of Difference (Baltimore: Johns Hopkins University Press, 1987), 33. One code of that Aristotelian «law of gender» represents the deliberative capacity of women as akuron, that is, as «lacking in authority» or as «easily overruled» (The Politics, 1260a13). (N. from the A.)

 

35

Sigmund Freud, The Standard Edition of the Complete Psychological Works of Sigmund Freud, 24 vols., trans. James Strachey (London: Hogarth, 195-374), 22:113; emphasis added. (N. from the A.)

 

36

Hélène Cixous' extract reprinted in New French Feminisms: An Anthology, eds. Elaine Marks and Isabelle de Courtivron (Amherst: University of Massachusetts Press, 1980), 90-91. (N. from the A.)

 

37

Daniel Eisenberg, Romances of Chivalry in the Spanish Golden Age (Newark, Delaware: Juan de la Cuesta Press, 1982), 74. (N. from the A.)

 

38

Jameson, «Magical Narratives», 140. (N. from the A.)

 

39

Hägg ultimately resists his own speculation on the grounds that the image of Woman idealized in these romances may have been «a typically male product». See The Novel in Antiquity (Berkeley: U of CA P, 1983), 96. (N. from the A.)

 

40

Three of the four twelfth-century novels, all written in learned literary Greek, were verse imitations of Heliodorus: Hysmine and Hysminias (by Eustathius Macrembolitis); Rhodanthe and Dosicles (by Theodore Prodomus); Aristandros and Callithea (by Constantine Manasses); and Drosilla and Charicles (by Nicetas Eugenianus). On the fourteenth-century Byzantine romances, with their newly westernized folk-tale motifs, see Hägg, The Novel in Antiquity, 80. (N. from the A.)